Limen
High-frequency acceleration limiter
Tape did this gracefully — softened the sharp peaks, left the air. Then digital workflows lost that. EQ doesn't replace it: take out the harshness and the character goes with it. Limen catches only the high-frequency acceleration peaks. The music stays.
One Depth setting works across the entire song — detection is threshold-free, so quiet verses and loud choruses both get the same controlled acceleration without recalibration. Recover restores the spectral balance that limiting would otherwise shift; pushed past 100%, it adds a silky high-frequency sheen that conventional EQ can't produce. The linear-phase crossover with adaptive slope reconstructs bit-perfectly when no limiting occurs — Limen sits transparent on the bus until something needs catching.
Features
Threshold-free Detection
Limen senses acceleration directly, not amplitude. One Depth setting holds across the full song.
Recover
Tames acceleration without dulling tone. Above 100% adds a sheen that limiters and EQs can't replicate.
Adaptive Crossover
Linear-phase. Slope adapts by frequency — minimal pre-ringing at low crossovers. Bit-perfect when no limiting occurs.
What users say
“Limen gives that effect I always wanted from tape emulators, but they always failed. It is like tape but without artefacts. Works especially great in a pair with DeEdger — the best combo for making everything sound 'like in real life'. It can give a place to breathe for close-miked stuff, it sounds almost like the mics have more distance from the source.” — zvukofor
“I've tried multiband comps, dynamic EQs, split EQs, slew limiters, transient designers — no luck. None of them can smooth the transients so effortlessly while leaving the tone completely intact. Recover is not a simple makeup gain knob — it's adaptive. You can't replicate this even remotely as easily with anything else.” — Dr.Gunjah
“With sharp brasses and acoustic guitars it works like magic. Keeps the openness without any pokiness. I tried to imitate it with a multiband transient shaper and while I could tame the transients, I couldn't achieve what the Recover button does. Transparent as a breeze.” — Jantex
“Limen is just an incredibly nuanced transient shaper — everything can be controlled so precisely but feels so effortless. All of your plugins are world class in form and function, really a high water mark in digital processors. The whole Ohlhorst Digital suite makes formerly opaque and complex tasks seem easy yet precise.” — Hardtoe
“I think this could be the best investment I've ever made in a plugin and it certainly hangs comfortably with my most prized mastering hardware. The cumulative effect of using multiple instances in a mix has helped me create noticeable depth — something that reminds me of working with analog tape.” — muffling
“Limen didn't darken. Didn't change the tone at all. Unique and fast to dial in. Hard to do any harm with a less than perfect setting!” — TheTruffleKing
“Quite unfortunate that this was more or less an immediate purchase for me after demoing, the wallet wasn't prepared but the quality speaks for itself. OD has been on a roll lately, great job with this one!” — FoodProduct
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Distributed by Tokyo Dawn Records